|
n
Friday evening, more people than ever before watched the opening
ceremony of an Olympic Games. They were treated to spectacle, heart-warming
moments, a well-choreographed cast of thousands and some
of the most insipid, no-brainer commentary in television history.
The Olympics
mark a special time in our culture, when emotions run high and both
the heights and the depths of the human spirit are evident. Jim
McKay can be forgiven for getting choked up on opening night. Katie
Couric had the same problem; her silence said far more than the
inane babble she produced the rest of the evening. In fact, through
most of the opening ceremonies the networks did nothing but deluge
us with vacuous observations when they could have been, say, giving
unique facts about the events or human insights into the competitors.
NBC had clearly spent little or no time on background research to
prime their commentators, so the presiding voice-overs merely stated
the obvious, hour after hour, as though addressing an audience of
two-year-olds. Whoopi Goldberg or Dennis Miller could have done
better; at least they know how to ad lib.
A case in point:
As the national delegations entered, several flag-bearers were identified
as contestants in "the skeleton." The commentators repeated
what was spelled out on the screen, as if we were reading impaired,
but never bothered to explain what "the skeleton" is.
It turns out the skeleton is like a luge, but headfirst. It has
not been part of the Olympics for 50 years. That could have been
a great factoid to share on opening night, but
Sports reporting
especially live interviews with athletes in the heat of competition
is often at the bottom of the journalistic craft. Athletes
have trained for years for this shot: Their concentration is focused
on performance; their emotions are peaked. If they weren't pumped
they wouldn't have bothered coming. Presumably none of this had
occurred to the interviewer Friday who asked an athlete if his problems
with performance were due to a "jinx."
As the events
have moved on, in general the live interviews have gotten no better.
Imagine you're an athlete who has trained, for years, for this one
moment. What would you say to questions such as (these are actual
questions from the first three days):
"How do
you feel?"
"Are you
nervous?"
"What's
going to happen today?"
"Was the
pressure too much?"
"Were
you pumped coming into it?"
"What
were you hoping to accomplish?"
"What
did your coach tell you to do?" (Besides being a distraction,
this is between the coach and the athlete and is nobody else's business.)
(To the mother
of an athlete:) "Mom, are you excited?"
So far, the
gold medal for sports interviewing must go to Kristin Cooper, who
asked U.S. downhill racer Daaron Rahlves after his event: "What
happened?" After every performance, an Olympic athlete meticulously
reviews and analyzes his performance in order to improve. Rahlves
gave Cooper a detailed accounting that gave insight into the course,
the race, and his approach to skiing. If he's free after his events,
hire him.
Sports performance
isn't all physical. One commentator reported that Polish ski jumper
Adam Malysz was "using a sports psychologist" to help
him jump better as if this was special. It might have been
newsworthy 30 or 40 years ago, but today every serious Olympic team
has several team psychologists, and most athletes have their own
counselors as well. Sports psychology is not just about listening
to people with a problem; it teaches a whole host of skills: visualization,
relaxation, concentration, mental attitude, and so on. Every athlete
has a psychological strategy for competing, yet little or nothing
is said about them. If the idea is to help kids who are watching,
let's start asking the athletes how they prepare, and get the shrink
on camera to explain the mental game because at this stage,
it's at least 80 percent mental who wins and loses.
Three days
had passed before someone started using instant replay and a light
pen onscreen to shed some light on the nuances of performance. This
was done for ski jumping; why can't it be done for every event,
to help us better understand what makes an athlete successful?
Further, most
audiences know almost nothing about how judges judge. The media's
experts could break out their light pens and instant replay and
tell us how they would judge a performance and why
so that we'd know better whether to boo or cheer when the numbers
come up.
Maybe I'm extra-sensitive
to this because I used to teach mass communications, and I practiced
as a sports psychologist for a decade and worked with a number of
Olympic and professional athletes. I can tell you that in general,
right before or during competition athletes hate being interviewed.
The interviews are distracting, and the people who get the mikes
usually ask ridiculous questions. The reason athletes do agree to
be interviewed, incidentally, is that they're auditioning for commercials
and endorsements for after the games. Or, they want to say "hello"
to someone who isn't there.
If you want
live coverage of winners, why not let them give acceptance speeches,
like actors at the Oscars? Approach them later, after things have
cooled down, and ask them to reflect on their performance. Ask for
training tips to pass along to kids, and maybe inspirational thoughts.
Our local NBC affiliate, NBC3 in San Francisco, did a great piece
on Saturday (before the national coverage began) with California
Olympic competitors. Gold-medalist Johnny Mosely, for example, trains
for moguls by hopping down the side of a steep California hill without
snow, and jumping on a trampoline with his skis on. Can you see
the kids out there today imitating this?
This is not
a nickel-and-dime show. NBC has the time and money to interview
coaches, athletes, trainers, and psychologists ahead of time. They
could have trained commentators in the use of light pens. They could
have asked the commentators to prepare understandable interpretive
comments to help the audience know what was happening during the
performance and judging. And, they could have a primed those who
are conducting live interviews to ask questions that will elicit
useful answers and make the athletes look good and not interfere
with their performance: "What goals did you have today?"
"How does the course run?" "What about the conditions
on the course?" "What should we be looking for?"
and one question that interviewer Kristin Cooper asked to Daron
Rahlves: "Is your life going to change as a result of this
competition?"
There's enormous
excitement to watching a world-class sporting event. There is also
an opportunity to learn, to better understand the sports and the
events. Champions may be able to not just inspire us, but pass along
useful tips that can help future competitors watching and
anyone else who likes to ski or skate. If they would simply ask
the athletes some intelligent questions, and treat the audience
as if it has a brain, we might all gain insight and knowledge, as
well as a few emotional highs, from the Games.
Right after
Swiss ski jumper Simon Ammann won the gold, an interviewer asked,
"How did you do it?" Ammann responded with a stream of
barely intelligible words then finally just screamed for
joy at the top of his lungs. That was, by far, the best answer of
all.
|